Minor White had much to say about the concept of “sequencing” – where you use the flow of a series of photographs to tell your story, rather than depending on one image to tell it all.
After spending most of today reviewing, editing, and printing photographs for a Galveston portfolio – lots of fog, subtle tone, blue-grays, silence – I had to take a break and work with something with COLOR!
So I visited some images I created last Halloween, when I unexpectedly found teens roaming the Galveston beaches in costumes.
As I was deciding what to print, I found it was difficult, because often there would be two images that were similar, but had changes in movement – the “characters” had walked to different places on the beach, and were having new interactions.
When I shot these images, I was intrigued by exactly that – the flow of teens, how they come and go, change groups, photograph each other, group, go away, regroup, etc. And that can’t be captured in one definitive photo.
So I’m sharing with you tonight several images that reflect what I’m talking about – sequencing – arranging images so you build a feeling – an understanding – a glimpse into someone else’s world.
This my first-time playing – we’ll see what my final body of work becomes –
What about you? Are you remembering sequencing as an option, or do you prefer the “ultimate image?”