Inner Path of Photography class dates coming soon…
Remember to go to my Heidi Straube Photography website if you want to be on the mailing list…
Remember to go to my Heidi Straube Photography website if you want to be on the mailing list…
Well, I’m running out of time and so are you if you’re trying to see your last images at FotoFest 2010 Houston.
But don’t forget, if you miss the real thing, you can look up many of the images and learn about the artist on the web links I’ve left you. I’ve learned a lot myself just writing these FotoFest entries…and expect to learn more as I follow up more on my favorite artists.
I realize that most of my notes have been about major photography venues in Houston….and that was just because with little time, I went to some of my tried and true sources for photography in Houston.
However, I had a wonderful time over at 4411 Montrose Blvd, a classy contemporary building on Montrose Blvd that houses four galleries, all of which I always totally enjoy. These galleries don’t show photography on a regular basis, but they certainly came through beautifully for FotoFest. If you have time, go to the following, and if you’ve run out of town, at least visit the websites!
Anya Tish always has interesting artists in her gallery, and her FotoFest exhibition has been no exception.
Begona Egurbide brings her work, “Precipice” from Spain. She is working with a technique called lenticular photography: expressive, beautiful, and fluid. Read the description on Anya’s website, it captures the feeling of Begona’s work beautifully…
I’ve seen Egurbide’s work before, and it just gets better and better. A technique that could end up being “showy” or just a trick has been applied with results of emotion and grace.
Thanks for an unusual show, Anya, and for your great hospitality…
2. Peel Gallery
“Hardly More Than Ever”, by Laura Letinsky is beautiful in its simplicity and use of the light. Still lifes have never looked this way before. An interesting fact about Laura is that she taught in Houston for a brief time…lucky students of hers!
I loved the seascapes that are being shown at Wade Wilson Art, the artist being Libbie Masterson, with work entitled “Sky: A Study of the American Sky.” The images themselves are celestial and grand, and Libby also is a master at how she mounts and displays them. Be sure to see the night versions downstairs…
The Museum of Fine Arts, Houston (MFAH) has a huge exhibit this year for FotoFest, titled, “Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection”
Nearly 200 images from over 80 artists are grouped in five themes…read the Museum’s description, it will give you an idea of what you’re in store for.
I found much of the work interesting, and nice to know to fill in more of my knowledge about photography over the years, and how it has been used, but two images in particular caught my eye, along with what the artist had to say about his work.
1) Hatakeyama Naoya, “Underground #6411”
I was drawn to this image for the simplicity, beautiful lighting, and mysterious beauty of it. It was interesting to feel such a spiritual feeling from the light in a sewer tunnel. The notes written by the MFAH curator beside the image gave words to the connection I felt with this artist and his work:
“The experience recalled the same feeling of helplessness he had felt 30 years earlier searching for a light in a cave near his home, or standing on a giant dune in the Sahara. In the darkness of the sewer system, he realized that he was the only one needing light, compelled to feel the existence of nature, the sublime.” (my bolding/italics).
My kind of guy.
Click here for the MFAH picture of the image. This excerpt from their catalog gives you a framework for Naoya’s work:
“Since the late 1980s, Hatakeyama Naoya has created interlocking series of photographs about Tokyo. He began photographing the limestone quarries from which the buildings of Tokyo are built. Then he photographed the rivers leading to and through the city, and finally, the tunnels beneath it. This picture is haunting beyond our knowledge of where it was taken. He has created a strange stage, awaiting both players and audiences.”
There is also an artist’s page on French Artnet, where there is this image, more of his work, , and a CV of the the artist reflecting the many projects he has worked on.
You’ll see on the French Artnet page that Naoya has also explored the art of seascapes. His approach and sensibility speaks to me; reflecting what I am drawn to capture in my own work….
How nice to unexpectedly find the inspiration of a kindred spirit…
I realized this morning that I posted some of the photographs that I finally printed after my anxiety jag (see postings on August 18), but didn’t share how I actually got to those images.
Curious? Have been in the same situation yourself? Here’s a short recap, to the best of my recollection:
I did go make myself lunch. Food is always good for me, it’s grounding, makes me take a break, away from my brain. Also I can’t tell you how many times I’ve gotten anxious, depressed, tired, etc. and then after spending far too much time psycho-analyzing myself and trying to figure out why I’m feeling bad (what am I supposed to learn from this? what am I blocking? what is this issue? etc etc)….I realize that I haven’t eaten and 90% of the mental distress is because I haven’t eaten and my body’s out of balance. Hungry body = Heidi’s wacko brain, emotions out of balance.
I’m not suggesting food as the answer to all inner angst, of course…but sometimes the basics (healthy food, sleep, exercise, and yes…sex!) go a long way as a first line of healing.
OK, so I’m well fed and happier.
Went back to the computer to browse the images again. Decided that I wanted to print images from my Martha’s Vineyard trip, because I haven’t spent much time with them, it’s been almost 2 months now, I already started a blog that I posted very little to, and people keep asking me where my MV pictures are.
Plus some “icing on the cake” motivation is that I’d like to do some work in Martha’s Vineyard this fall or next spring/summer, things like retreats, workshops, Inner Path of Photography classes…and it would be nice to have something simple and visual to jazz up my project proposals and use in marketing.
Great, a decision has been made! Martha’s Vineyard it is.
But which images? I was there for 7 days, and have a folder for each day with about 100 images each. Here we go again.
So what did I do? I went with the energy, with my curiosity, with what turns me on.
As I browsed through the images, I realized that there were some that I thought I “should” print…because the woman I rented my cottage from would like to have those that I took of her place, because people who’ve never been to the Cape and Islands have never seen the type of houses/architecture that is there and I could show them that…on and on…all of the reasons to do what will make other people happy.
Yes, I would still like to do that. But as I mentioned before, I want to do fine art prints, and the images above felt like snapshots…I could print those out on my little HP printer in minutes, or throw them up onto a Google website, and people would be happy.
Some could eventually be printed as fine art prints…but they weren’t where my energy was drawn to, so I passed.
I’ve been very intrigued with beach photos in the past year, especially taking them at the end of the day in near darkness, or on rainy or foggy days. Remembered that I had some nice foggy shots, so went searching for them.
And finally found ones that felt good to look at, remember the experience, and want to express the magic, charm, joy, mysticism in them.
I’ve posted some of the results. Some rolled easily off the printer; others took more work at printing skills that I am learning.
I’ll post more as I work through them…
But the point I want to share here is that my decision making became clearer, and my anxiety decreased when I got in alignment with what personally gave me energy. Not what would give others energy, what I “should” print, or what was technically the best, most impressive image.
I followed my curiosity and willingness to be different. I printed what made me feel expansive. I allowed myself to re-engage with the feelings I had when I was shooting, and to celebrate the whole experience through feeling, printing, completing.
I also threw away my need for each image to be the ultimate shot. There were some images that I wasn’t sure I liked, that felt potentially “boring,” but that were still calling to me. I played with them anyway, realizing the gift of my photo group that evening: What better place to take images I was unsure of and see what others made of them? I basked in the enjoyment of printing what I loved, and in the richness of anticipating the group support and creative exchange.
So that’s my story. More angst and anxiety to come, I’m sure…but getting back in the flow was great…and I’m still riding the wave 🙂
P.S. Photo group was great…lots of discussion, interesting work by all, great camaraderie, pizza, and wine!